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Abbas-Mustan try untried pairs in their next thriller
By Subhash K. Jha, Indo-Asian News Service

Mumbai, May 15 (IANS) After making murder mystery "36 China Town", director duo Abbas-Mustan are set to launch their next thriller which will have some fresh pairings. Saif Ali Khan teams up with Bipasha Basu for the first time in the yet-to-be-titled film, and so do Fardeen Khan with Katrina Kaif and Anil Kapoor with Mallika Sherawat. 

After working with Mallika in "Darna Zaroori Hai", Anil has taken a shine to her. "She's hard working, focused and fun to work with. I love her guts and her honesty," Anil told IANS.

Looks like Anil will have lots more opportunities to get to know Mallika better in the film being produced by Tips. It will be shot in Australia in one schedule from September to November. 

Abbas and Mustan are constantly trying new combinations and permutations within the same suspense-thriller format. "What can we do if producers only approach us to make thrillers?" said Abbas. 

"We tried something different in 'Tarzan The Wonder Car' and gave up. We are happy with our niche. Other directors make family films or comedies. We are known for our suspense thrillers. Even our new release '36 China Town' is a suspense whodunit. 

"When we had made our first thriller 'Khiladi' there wasn't such an active media machinery to give the suspense away. Now everyone knows who the killer is. So in '36 China Town' we have added loads of humour to the whodunit to sustain audiences' interests. 

"Everyone except Akshaye Khanna - who plays the investigating officer - has humorous moments."

Abbas and Mustan are the champions of soft-spoken sophisticated suspense thrillers. The director duo are in London for a 90-day schedule with Bipasha, Ajay Devgan and Sanjay Dutt to film what Abbas calls a humorous adventure thriller.

Talking about the title of their latest release, Abbas said: "There is an interesting story to how we got the title. You know, all the China Towns the world over have their own geographical and culture boundaries. 

"Likewise we wanted to create a world within one area and give it a number, like a residence. The set we created has a casino, a dance area, roads... everything. Most of the film was shot there." 

Abbas raves about his stars and producer. 

"This is our third film with Kareena (Kapoor) and second with Akshaye. They both agreed immediately. We had liked Shahid Kapur in his first film 'Ishq Vishk' and had decided we'd work with them anytime something suitable came up. 

"'36 China Town' has an ideal role for Shahid. The fact that Kareena and Shahid hadn't clicked in 'Fida' didn't bother us. Every story has its own rhythms and requirements. It is up to the directors how they use the stars."

Special words are reserved for producer Subhash Ghai with whom they are planning to make another film. 

"The fact that he is a producer as well as a director helps him understand the workings of a film far better than anyone else. Subhash-ji isn't the least interfering. In both 'Aitraaz' and '36 China Town' he let us do exactly what we wanted. But he was always there to help us," said Abbas. 

"We are now working on another script for Subhash-ji to produce. The film will go on the floors as soon as we write it," he added. 

Talking about the originality of their just released film Abbas said: "Our writer Shyam Goel says it's inspired by a novel." 

Very few know that these two never take a break. "Why should we when we have so much fun making films? Every film is a vacation for us."
 
I never claimed that I knew acting, says Kangana
Indo-Asian News Service

Mumbai, May 15 (IANS) Newcomer Kangana Ranaut, who has taken Bollywood by storm with her performance in "Gangster - A Love Story", says she never projected herself as a great performer. 

"I never claimed that I knew acting. I have always maintained that I don't know how to act. But I guess I have learnt a lot from my very first film and I will cherish each and every moment of this film," said the 19-year-old actress who doesn't regret her decision of quitting studies.

"I was always interested in theatre and modelling. I had even enrolled at the Elite school of modelling and I gradually figured out where my interest lied."

Though Vishesh Films is repeating her in "Woh Lamhe", which is based on the brief romance of director Mahesh Bhatt and Parveen Babi, Kangana is keen to work with Sanjay Leela Bhansali and Yash Chopra, reported Bollywood Trade. 

Excerpts:

Q: you are a science student, what prompted you act in films?

A: Honestly speaking medicine and engineering didn't interest me. I was always interested in theatre and modelling. I had even enrolled myself at the Elite school of Modelling and gradually I figured out where my interest lied.

Q: You are 19 and already a film old. How does it feel?

A: Initially I was scared when I quit my studies. But today when I look back I don't repent my decision. This is such a wonderful feeling... I mean the very fact that I am self-dependent and earn my own bread and butter makes me feel on seventh heaven. I am happy the way my career is going. 

Q: People must have come up with lots of unsolicited advices...

A: Advices come free of cost but I ultimately do what I feel like and shall continue to do things that please me.

Q: It is a fad to change your name in Bollywood. Would you also be a part of this name game?

A: Well, I have never really thought about it. Having said that I'd like to declare that I don't wish to change anything about myself.

I am happy the way I am and don't see a reason to change anything concerning me but as far as films are concerned I am open to changes. 

Anurag Basu feels I look western in some ways so I had to don two different looks in "Gangster". If a character demands changes then it is totally acceptable to me.

Q: Considering the fact that you come from a non-film family, how difficult was it for you to act?

A: See, I never claimed that I knew acting. I have always maintained that I don't know to act. But I guess I have learnt a lot from my first film and I will cherish each and every moment of the film. 

Anurag and the entire Bhatt camp have been very sweet to me and they seem to like everything about me. They all have been very supportive and patient with me. Not only that, they also had complete faith and I don't think I can ever repay them.

Q: Mukesh Bhatt referred to you as the next Madhuri Dixit of Bollywood. So how do feel about that?

A: It definitely feels wonderful. 

Q: Are you injury prone?

A: Well, I have hurt myself many times but that doesn't matter. I believe all these things are a part and parcel of an actor's life. We have to be like soldiers, very mighty and strong and take everything in our stride. 

There are times when one has to shoot in skimpiest clothes in extreme conditions but I am okay with all that.

Q: Tell me something about your forthcoming films?

A: I am doing Mahesh Bhatt's "Woh Lamhe" opposite Shiney Ahuja where I play Parveen Babi. I can't disclose anything else at this point.

Q: How do you react to rumours?

A: Oh I don't really care. I don't pay attention to such things and prefer not to react so they never upset me. I choose to ignore them and don't let it affect my work.

Q: Lastly, tell me something about yourself that people don't know?

A: I am a classical Kathak dancer and I'd love to work with Shah Rukh Khan, Salman Khan, Aamir Khan, Sanjay Leela Bhansali and Yash Chopra. 
 
Piracy halves music industry's turnover
Indo-Asian News Service

New Delhi, May 15 (IANS) An optical disc law is being considered to curb piracy in the entertainment sector since the scourge has halved the music industry's turnover of $225 million in 1999, the Lok Sabha was informed Monday.

"The Federation of Indian Chambers of Commerce and Industry (FICCI) has been entrusted with the task of determining the need for a separate legislation for manufacture of optical discs," Information and Broadcasting Minister P.R. Dasmunsi said.

"According to information received from the Indian music industry, the size of the music industry has fallen from Rs.1,000 crore (Rs.10 billion) in 1999 to Rs.500 crore (Rs.5billion) in 2004," he told the lower house in a written reply.

Dasmunsi said the information and broadcasting ministry works closely with the National Film Development Corp and the police force on copyrights issues in the film sector and anti-piracy campaigns.

"The responsibility of dealing with offences under the Copyright Act rests with the police authorities of the state governments and union territories," he said, but added all states have enforcements cells headed by senior officers.

According to a study commissioned by FICCI, aggressive raids against piracy can help the industry contain losses, adding that over 1,500 raids were conducted on various operators last year.

"Also, 340 new FM stations would have to pay royalty to music companies. This medium could be used as another marketing tool, akin to music TV channels, by the music industry," says the study by PriceWaterhouseCoopers (PWC).

The consultancy says the Indian music industry - a staple for the entertainment sector - is expected to grow at a mere one percent per annum till 2010 against the growth of 32 percent and 24 percent in television and radio, respectively.
 

'Chand sifarish' from 'Fanaa' is song of the week
Indo-Asian News Service

New Delhi, May 16 (IANS) Music has been a major attraction in all Yash Chopra films, so it is no surprise to know that "Fanaa", too, has struck the right note and that its "Chand Sifarish" is number one song of the week.

The top 10 Hindi songs are:

1. "Chand sifarish" - Film: "Fanaa"; Singers: Shaan and Kailash Kher; Music: Jatin-Lalit. A mixture of Arabic and Indian music, the enchanting song is selling like the proverbial hot cakes. 

2. "Ya Ali" - Film: "Gangster - A Love Story"; Singer: Zubeen; Music: Pritam. Sufi songs are a craze these days and "Ya Ali" is the latest to join the list.

3. "Aashiqui meri" - Film: "36 China Town"; Singers: Himesh Reshammiya, Sunidhi Chauhan; Music: Himesh Reshammiya. Demand for this seductive number has soared since the film hit the screens.

4. "Jhoom jhoom" - Film: "Tom Dick And Harry"; Singer: Himesh Reshammiya; Music: Himesh Reshammiya. Another feel-good song from Reshammiya that is going places.

5 "Fanah" - Film: "Humko Deewana Kar Gaye"; Singers: Sonu Nigam, Tulsi Kumar; Music: Anu Malik. The song's popularity has surprised music enthusiasts.

6 "It's a beautiful day" - Film: "Aryan"; Singers: Shreya Ghoshal and Hamza; Music: Anand Raj Anand. A sentimental romantic song for lovebirds!

7. "Mundya aa bhi jaa" - Film: "Shaadi Se Pehle"; Singer: Sunidhi Chauhan; Music: Himesh Reshammiya. A foot-tapping naughty number just for time pass!

8. "Roobaroo" - Film: "Rang De Basanti"; Singers: A.R. Rahman and Naresh Iyer; Music: A.R. Rahman. The Indi-pop composition makes its first appearance on this list.

9. "Right here right now" - Film: "Bluffmaster"; Singers: Abhishek Bachchan and Sunidhi Chauhan; Music: Vishal-Shekhar. Its popularity has slipped with other newer numbers making the grade, but this still finds place on the charts.

10 "Pyaar ki ek kahani" - Film: "Krrish"; Singers: Sonu Nigam and Shreya Ghoshal; Music: Rajesh Roshan. The romantic number rendered beautifully by the two talented artistes is eminently hummable.
 
Ajay Devgan, the favourite star of admen
Indo-Asian News Service

Mumbai, May 16 (IANS) Ajay Devgan is much talked about these days, especially for his penchant to pick up good roles. But what is not as well known is his popularity in the advertising industry. 

"He gets at least two to three offers every day. His image as a sensitive actor and strong family man, as well as his reputation for professionalism has earned Ajay the respect of the advertising industry and he is in great demand for new ads," said a source close to him.

True to his personal convictions he is very choosy about the ads he wants to be part of because he does not work just for money.

-*-

Hrishita, an Indian JLO

Actress Hrishita Bhatt's career might be heading downhill but her hot look is boosting her popularity. 

Her fans are going ga ga over her new Western look and they are comparing her with Latin singer Jennifer Lopez. Recently she was invited on a TV show where a fan praised her and said she is an Indian JLO. 

Hrishita said: "It definitely feels great to receive such a compliment." 

 
Bollywood distributor on London bourse
Indo-Asian News Service

London, May 16 (IANS) Eros International, the London-based distributor of Indian films, has announced plans to enter the London Stock Exchange.

The move is likely to see the privately owned company's valuation to reach £210 million ($395 million), according to reports. The firm hopes to raise $100 million from the floatation.

Founded in 1977, the company has been responsible for an estimated 40 percent of Bollywood films distributed in Britain over the past eight years, The Guardian reported. 

In the last nine months of last year, Eros made a profit before tax, interest and goodwill of $12.6 million on a turnover of about $32.2 million. It predicts annual sales of about $44 million, at the low end of expectations. 
 
I wish I could do a romantic film: Riteish Deshmukh  (INTERVIEW)
By Subhash K. Jha, Indo-Asian News Service

Mumbai, May 19 (IANS) Wanted... A cool conventional love story where Riteish Deshmukh will have a leading lady to romance. 

Not that he's tired of the kool comic "Masti" and "Dhamaal" that his career is caught in. "On the contrary, it's great fun." It's just that Riteish, who is seen in an episode of the horror "Darna Zaroori Hai", wishes he could do a romantic film as well. 

"I can only choose from what's offered to me," he says. 

But right here right now, Riteish is revved up about his new release. 

" 'Darna Zaroori Hai' is my second film with Ramu... actually third if you count 'Mr Ya Ms' which he didn't direct. And it's my first time with Mr Bachchan. I'm lucky enough to have fulfilled the dream of working with him so early in my career. I never knew horror could be such a pleasure. I don't know whether Amitji has done horror before. For me it was the first time. I didn't have to do much except react to his presence. He made the horror look so real!

"We were doing sync sound. And the set was so quiet it added to the eerie feeling. Yeah, it was fun. And having Ramu as a director is a two-way pleasure zone. You learn about cinema on and off camera. He knows so much about movies. I love chatting with him. He's so persuasive that I begin to question my own opinions. Hopefully, I'll be working with him again soon."

Riteish is grateful to Ramu for not casting him as the funny guy. 

"Everyone thinks of casting me in comic situations after 'Kya Kool Hain Hum', 'Masti' and 'Bluffmaster'... Not that I mind being merged with mirth. It just so happened that my comedies were successful. So naturally I was seen as a suitable candidate for the comic role. That's fine. Because being funny is fun, especially since I get to be funny in different ways each time. I mean you can't compare my role in 'Masti' with 'Bluffmaster', or the forthcoming 'Dhamaal'. 

Riteish's buddy Sajid Khan has also directed an episode of "Darna Zaroori Hai". "But no regrets. Because I'm already doing Sajid's film 'Hey Baby'. It's a family film with funny moments. It's certainly not an out-and-out comedy like my forthcoming 'Dhamaal'. Again in Anubhav Sinha's 'Cash' I get do a non-comic turn. That's an action-adventure."

Riteish admits he misses being in a conventional romantic film. "I started my career with a romantic film 'Tujhe Meri Kasam'. But in the last four-five years I don't remember seeing a conventional romantic film. I wish I could do a romantic film. But I'm not in the position to decide what I should do. I can only choose from what's offered to me. I'm working. But I'm not working towards any particular goal. I'm doing what seems right for me."

Right now Riteish has only one immediate dream. "I want to go into a movie theatre on Friday and watch myself share the screen with Amitji. That's a big high for me." 

Off-hour activities? "I've a running business for architecture. I keep checking on the projects. I'm not able to give it much time. Partying? Sometimes. But I'm a major movie buff. I go to the movie theatre to watch practically every film that releases. As Ramu says, to make a film you only need to be a movie buff. So who knows?"
 
US students identified 'Rang De...' with discrimination: Mehra (INTERVIEW)
By Subhash K. Jha, Indo-Asian News Service

Mumbai, May 19 (IANS) Rakeysh Omprakash Mehra, who is just back from the US after screening "Rang De Basanti" in various universities, says students there associated the film with racial discrimination and apartheid.

"I sensed the same passion, the will to change the status quo, in the audiences in the US," Mehra told IANS in an interview. "Everyone seemed to identify with the theme of corruption in politics and also the Hindu-Muslim conflict..."

He is aware that with the success of the film, he has a much larger audience than he did after his debut film "Aks". "However, I won't make a 'youth' film next time just to connect with the target audience," Mehra said.

Excerpts:

Q: You took "Rang De Basanti" on this historic trip through the academia in the US?

A: Historic? That sounds too self-important. But, yes, we did go through the liberal mid-west area of the US. There were two shows also by Global Rhythm where A.R. Rahman performed. They were awesome. Rahman was accompanied by a 150-piece orchestra and a full choir. 

The trip served as a curtain raiser. After the shows I've a feeling that a lot more invitations are on the way. Stanford, New York Universities..."Rang De Basanti" has established its own network all across the world. 

Q: Did the students at the US universities understand the indigenous historical references?

A: I was apprehensive whether they'd cotton on. But the US students identified with the film to the hilt. I saw no difference between the reactions in Ahmedabad and Cincinnati. I sensed the same passion, the will to change the status quo, in the audiences in the US. I didn't feel the cultural disparity at all. They associated the political situation in the film with racial discrimination and apartheid. They spoke to me about how the poor in the US couldn't avail of medical benefits. 

I think "Rang De Basanti" is being seen as a parable on corruption and discrimination. The US students told me how the image of America as a cultural melting pot has gone for a toss. Everyone seemed to identify with the theme of corruption in politics and also the Hindu-Muslim conflict as represented by the characters played by Atul Kulkarni and Kunal Kohli. A couple of years ago after 9/11 the Americans too had started being suspicious of Muslims. They could empathise with Atul's reformation from radical to tolerant Hindu.

Q: What has the impact of "Rang De Basanti" taught you about the influence and power of cinema?

A: Yes, that's a question I've been waiting to answer. It's difficult to say something on this without sounding pompous. I had heard about the power of cinema. I had experienced it as a member of the audience. But while making "Rang De Basanti", I never thought it was going to connect so deeply and so widely. 

After you make a film you see it making such an impact all over the people, you suddenly understand how completely an audiences can love a film, give themselves completely to the cinematic medium. I know one thing for sure. Once you make a film and it goes into the theatres, it's no longer your property. 

Q: But how could American audiences connect with Indian history?

A: The American audiences have adopted "Rang De Basanti" and are willing to learn about Indian history. I didn't know about Che Guevara until I saw Walter Salles' "Motorcycle Diaries". I truly believe cinema is one of the most powerful mediums of expression. I saw people enthralled by my film and then watched them discussing it as an experience that takes cinema beyond all prescriptions of entertainment and information. Only cinema can do this. 

So far we thought our youth don't think beyond sports shoes and sneakers. The market research and entire tools of advertising have been proven wrong. We totally misread the youth. The things that touch and move you will always triumph in cinema. And we don't need to stick to the time-tested formula of boy-girl, father-son, romance drama etc to get the audience interested. The lesson from "Rang De Basanti" is so simple. If you can touch the audiences' heart, you can win them over. That's the only magic formula we filmmakers should know.

Q: "Rang De..." seems to have struck a chord with the youth.

A: I'm told viewers between the age of 16 and 35 constitute 65 percent of the audience for our movies. It doesn't require brains to know that a film should appeal to that age group. However, I won't make a 'youth' film next time just to connect with the target audience. I'll do exactly what the plot dictates.

Q: What next?

A: We're working on a script called "Delhi - 6" about my childhood in Chandni Chowk. We'll see how it goes. I've started work on it. I don't even have time to sleep. In a month I'll know if the screenplay is going where I want it to.

Q: Would you work with the same crew as "Rang De Basanti" again?

A: Of course, why not? We know the level of work that we accept from all of us. Why shouldn't we carry on together? I'm aware I've a much larger audience this time than I had after my first film "Aks". I can't run away from that truth. But I can only do what comes naturally to me.

Q: Today Rakeysh Mehra is a brand name.

A: And I thought I had left the whole experience of advertising behind me. Ha! 
 

Konkona perfect for 'Traffic Signal': Bhandarkar
By Manissha Despaande, Indo-Asian News Service

Mumbai, May 19 (IANS) Madhur Bhandarkar describes award-winning actress Konkona SenSharma, who plays a sex worker in his film "Traffic Signal", as an "ideal choice" for the role. 

"I felt she would be the ideal choice for the character though she hasn't ever played such a role on screen so far. Her approach to acting and her attitude led me to cast her for the role," said Bhandarkar. 

He is currently shooting for the film at breakneck speed in Nitin Desai's ND Studio on the outskirts of Mumbai, reports Bollywood Trade. 

According to Bhandarkar, the producers - Sahara One - are planning to take the film to the international festival circuit before releasing it in India. 

The film, also starring Kunal Khemu and Ranvir Sheorey, tracks down life at Mumbai's traffic signals.
 
The Great Khali: from village labourer to showbiz wrestler
By Baldev S. Chauhan, Indo-Asian News Service

Shimla, May 19 (IANS) From working as a labourer in a tiny Himalayan village to the rings of a professional wrestling circuit that is watched by millions worldwide, Dalip Singh Rana aka Singh has come a long way.

Singh now fights for the World Wrestling Entertainment (WWE) in the United States under the ring name "The Great Khali". Standing at 7 feet 3 inches and weighing 420 pounds, Singh is one of the tallest wrestlers in the popular WWE circuit.

He has also acted in a Hollywood film "The Longest Yard" with Adam Sandler.

"I spoke to him on phone in California, he is practising hard and looking forward to his upcoming fights before he returns home in about three months," his uncle Sai Singh told IANS.

On his debut on WWE's television show "Smackdown!" last month, Singh attacked The Undertaker during his match with Mark Henry.

In January, TEN Sports signed a one-year contract with him.

Singh has been named The Great Khali by WWE organisers as he often invokes Kali, the Hindu goddess of destruction, during his fights.

He is the third of eight children born to his parents in Dhirana village of Sirmaur valley, about 170 km from here. Before embarking on his sporting career, Singh was an officer in the Punjab state police, a champion bodybuilder and an athlete.

Unfortunately, however, villagers in his home Dhirana can't watch his exploits in the ring because they have no access to cable television.

"Dalip is illiterate and worked for many years as a labourer in a small hamlet and later in Shimla, after which he was picked by the neighbouring Punjab Police chief and recruited as a constable," said Sai Singh.

Here he began body building and later went on to make his debut as a professional wrestler.
 
We can remake 'Desperate Housewives': Sameer Nair (INTERVIEW)
By Subhash K. Jha, Indo-Asian News Service

Mumbai, May 20 (IANS) Mythologicals and desi versions of hit serials like "Desperate Housewives" and "Lost" - CEO of STAR Entertainment India Sameer Nair is buzzing with new ideas to improve the TRPs of his channels STAR Plus and STAR One. 

Nair -- back from his honeymoon after his marriage with Sanvari Alagh who was assistant director in the hit show "Nach Baliye" -- is quite upbeat about the recently launched historical saga "Prithviraj Chauhan" on STAR Plus. 

"Our first historical 'Prithviraj Chauhan' has just started. Earlier, during the days of national television we had great historical serials like 'Chanakya', 'Great Maratha' and 'Tipu Sultan'.

"We have spent almost three times more money on this project than the average or not-so-average serial. It has no budgetary parallel. We are continuously trying to break into new genres. 

"We had great success with 'Nach Baliye' on STAR One. And now we are coming back with the second innings of 'Nach Baliye'. Our new show 'Heartbeat' creates a new variation in the game-show genre. I always support my team to do new things. 

"Now after a historical, we are looking at doing a full-scale mythological. A good story never fails," Nair told IANS in an interview. 

Nair feels there's a revival of interest in past cultures. 

"Not just in this country, but all over the world. As long as the story is well told. In Hollywood 'Troy', 'Gladiator', 'Alexander' and 'The Da Vinci Code' were made. History should be made interesting to be palatable. Prithivraj had never been done. He was the last great Hindu king." 

STAR is looking at full-on mythologicals now.

"In a month's time, we launch Ravi Chopra's 'Viraasat', which does something different within the same format. We are not consciously moving away from our staple diet. But we are introducing a lot of variety. 

"We are now looking at a grand mythological. We have had reasonable success buying the rights and telecasting Ramanand Sagar's 'Ramayana' and 'Krishna'. So far the perception that mythological serials are downmarket together with the prohibitive costs of going into the genre prevented us from going into it. 

"Also, when Ramanand Sagar's 'Ramayana' and B.R. Chopra's 'Mahabharata' were done for national television there was no technical wherewithal to do them with ample flamboyance. Now we can bring all of that acumen into play."

STAR is currently contemplating which mythological to go into. 

"We can either do one that hasn't been done, or we can go back to one of the mythological serials that has already been done, like they are doing in Bollywood."

STAR is also looking at doing desi versions of eminently successful international shows like 'Desperate Housewives' and 'Lost'. 

"Everything is cyclic. And it may be time to go back to good old drama. We can re-make a drama like 'Desperate Housewives'. Reality television had become the mainstay of television the world over. That's changing now." 

Nair says STAR's biggest failure in recent times would be the overall performance of STAR One. 

"We are still seeking substantial gains after 'Nach Baliye' and 'The Great Indian Laughter Challenge'. We want STAR Plus and STAR One to be the no.1 and no.2 channel."

Talking about all the media attention his marriage attracted, he said: "I wasn't here. My wedding was in Jaipur. But I was surprised to see all this attention. I am a very private person. We invited just 200 people in all -- my friends, Sanvari's friends and her parent's friends, that's all." 

Sanvari is no longer part of STAR. "She quit before marriage. She is not working right now because we are trying to get our home together. Then she'll get back to work." 

Nair and Sanvari went to Santo Rini in Greece for their honeymoon. 

"We went to this island that was supposed to be civilised and dignified. But I finally got to know what it meant to say, 'It's all Greek to me...' But seriously my life has never seemed better, professionally or personally." 

The media interest in the marriage shows Nair has arrived. 

"I'd like to think I am far from arriving. Because there is a lot more to be done."
 
Pop go the 'Don' promos
Indo-Asian News Service

Mumbai, May 20 (IANS) Producer Ritesh Sidhwani's innovative formula to kickstart the promotion of his forthcoming "Don", starring Shah Rukh Khan in the main lead, seems to be working wonders.

Just testing the waters, Sidhwani sent sleek cardboard popcorn covers sporting Shah Rukh's silhouette against the backdrop of Malaysian skyscrapers to a couple of cinema houses in Mumbai. 

The gimmick paid off so well that the producer's office is now taking requests from other theatre chains for providing more of the same popcorn packets.

Now it has to be seen whether the action drama, a remake of the Amitabh Bachchan-Zeenat Aman starrer "Don", gets an overwhelming response at the box office.

The film, being directed by Farhan Akhtar, is scheduled for a Diwali release.
 

Kangana craves typical Bollywood fare
By Subhash K. Jha, Indo-Asian News Service

Mumbai, May 20 (IANS) Newcomer Kangana Ranaut, the curly-haired moll in "Gangster", yearns to work with director Sanjay Leela Bhansali and romance her favourite actors Shah Rukh Khan, Aamir Khan and Hrithik Roshan on screen.

"I want to do all the conventional things, like sing songs and romance my three favourite actors," Kangana told IANS.

"But right now both my debut and post-debut films have given me tough, serious and no-nonsense characters to play," said Kangana, whom Bhansali remembers as a timid well-behaved girl who had dropped in to ask for work.

She has bagged rave reviews for her performance as a mobster's angst-ridden moll in Anurag Basu's "Gangster", a role even seasoned artistes would quake to take on.

She said: "I don't know where it came from. But I must tell you that Basu held my hand and led me through the amazingly complex life of my character - Simran.

"I could have never done it on my own. Anurag cried every tear that I have shed in the film. He raged when Simran raged. He screamed in protest against life's injustices every time my character was pushed around. I couldn't have hoped for a better learning experience than this."

Mahesh Bhatt had initially rejected Kangana, who allegedly plays mobster Abu Salem's girlfriend Monica Bedi in "Gangster", for his film "Zehar".

"That's right," she said. "I had auditioned for 'Zehar', but I never heard from them. Then I bumped into Anurag at the Marriott and he offered me 'Gangster'.

"Now I am doing another film with the Bhatts - 'Woh Lamhe' - which Mohit Suri is directing. I play Parveen Babi. Believe me this is even tougher than 'Gangster'."

The 19-year-old said: "When I was told we'd be shooting 'Gangster' in Korea, I didn't know what I was getting into. I had no idea of the weather. So I packed my chiffons and georgettes only to realise that it was freezing cold there.

"I was so cold all the time that I couldn't focus on my emoting at all. God knows how it came out right."

The actress in her now craves change.

"I want to do the usual stuff. I am a Kathak dancer and I want to sing and dance. I want to show there is more to me than just the troubled characters I play in 'Gangster' and 'Woh Lamhe'."

Kangana lives alone in Mumbai, away from her businessman father and schoolteacher mother.

"I do miss my parents. Mumbai can get awfully cold. But I have some good friends. They are a blessing. I spend my free time dancing and, of course, watching films featuring my three favourite actors."
 
'Gangster' emerges surprise winner of the week
Indo-Asian News Service

New Delhi, May 20 (IANS) Director Anurag Basu's latest venture "Gangster - A Love Story" is a surprise winner at the box office this week. Apparently inspired by mobster Abu Salem and his girlfriend Monica Bedi's romantic alliance, the film built up the right amount of pre-release publicity. Produced by Vishesh Films, it id definitely reaping profits now. Shiney Ahuja and Kangana Ranaut have done a good job in the film. The top 10 Hindi movies this week are:

1. "Gangster" - Director: Anurag Basu - In an era of violent films, this one stands out. Newcomer Kangna Ranaut is a pleasant surprise. 

2. "Pyare Mohan" - Director: Indra Kumar - The film suffers due to a faulty script, probably because the director was unsure of using physically impaired characters for comedy. 

3. "Humko Deewana Kar Gaye" - Director: Raj Kanwar - The film has nothing new to offer and moves at a sluggish pace and lacks depth too. However, Katrina Kaif, who did a fine job in "Maine Pyaar Kyun Kiya", has made a mark in this film too. 

4. "Darna Zaroori Hai" - Directors: Ram Gopal Varma - Though the film has seven stories, none of them seems to have appealed to the audiences. It is as insipid as "Darna Mana Hai". 

5. "36 China Town" - Director: Abbas-Mustan - While it has a glossy look, the film fails as a thriller. Akshaye Khanna is the only saving grace in the film. 

6. "Rang De Basanti" - Director: Rakesh Mehra - One of the biggest hits of the year, the film is going strong even after months of its release.

7. "Malamaal Weekly" - Director: Priyadarshan - In spite of the presence of veterans - Om Puri and Paresh Rawal - it fell flat at the box office.

8. "The Mistress Of Spices" - Director: Paul Mayeda Berges - Weak script, loose direction and a poor performance by lead actress Aishwarya Rai has turned it into a box office fiasco.

9. "Shaadi Se Pehle" - Director: Satish Kaushik - Actor-cum-director Satish Kaushik has tickled the funny bones of audiences with his comic acts in several films, but as a director, he has failed to elicit laughter. 

10. "Taxi No. 9211" - Director: Milan Luthria - The film was a moderate success at the box office and the audience liked the on-screen chemistry between seasoned actor Nana Patekar and upcoming star John Abraham.

(Source: Bang on Target)
 
Gujarat's computer wizard colours monochrome classics at home

(FEATURE)
By Saeed Khan, Indo-Asian News Service

Rajkot, May 21 (IANS) Jyotin Rajpara is touching up the blushing Vyjayantimala's cheeks, making them red as Dilip Kumar looks on. The computer wizard is working on bringing Bimal Roy's classic "Madhumati" alive in colours - with a cost-effective technique he has developed on his own in his spare time.

For the 28-year-old Rajpara, it started with K. Asif's blockbuster "Mughal-e-Azam" that was re-released after it was given colour last year. 

"When I saw Mughal-e-Azam, I thought that I, too, could do it. Now after eight months of my practice, I can do it faster and at minimal costs compared to Rs.100 million spent over colouring the masterpiece," Rajpara told IANS. 

The process, however, is painstaking. It takes about a week in colouring a sequence lasting one minute on the screen, said Rajpara, who had been trained in his family's business of polishing and designing gold ornaments before his formal training in computer applications.

While he works in the computer department of a Gujarati daily, he spends his free time at his workstation in his home in this Saurashtra city, about 220 km from Ahmedabad, Gujarat's main city.

Apart from the ongoing work on "Madhumati", "I have completed most of the sequences of 'Shree 420' and 'Dosti', too. Now I plan to take up the Charlie Chaplin films, the 'Three Stooges' series and the Laurel and Hardy films," he said.

"In my way of colouring a film, there will be a quality loss of up to 10-15 percent but I am working at solving that problem," he added.

Rajpara, however, was reluctant to speak more about the economical technique he has found. "There are three different software that make my work very easy," was all he would say.

Rajpara would not like to reveal his trade secrets as he is now approached by major filmmaking firms from Bollywood.

Sahara One Motion Picture, Ultra Film Focus and a couple of other companies are said to be interested in utilising his expertise.

"I will definitely meet them. I know they are interested in my technique," Rajpara said with a smile.

His employer, meanwhile, is also willing to sponsor Rajpara's ventures in turning monochrome classics into new, brightly coloured editions.
 
Rachana Shah heads for Cannes
By Manissha Despaande, Indo-Asian News Service

Mumbai, May 21 (IANS) Rachana Shah who has acted in Hindi, Tamil and Bengali films is all set to attend the Cannes festival where two of her films - "The Last Monk" and "Navarasa" - will be premiered.

"It is undoubtedly a great achievement for any actress to have two of her films premiered at the prestigious fest, more so for someone like me who is still making a place in acting," said Rachana.

"I am particularly excited about 'The Last Monk', for which a red carpet premier is planned at Cannes," she said.

"The Last Monk", which marks the directorial debut of award-winning documentary filmmaker Sudipto Sen, explores the male-female relationship against a backdrop of cultural Buddhism, reports Bollywood Trade. 

In the film, Rachana plays the role of Swapna, the main protagonist.

"The film signifies the advent of the thought-provoking and intense new wave cinema and has already been acclaimed at the top 10 international film festivals. It will not go unnoticed at the Cannes film festival either," she claimed. 

Rachana has acted in Sonu Sisupal's "Kalachakram" (Tamil), Sushant Mishra's "Dharini" (Hindi), Santosh Sivan's "Navarasa" (Tamil) and Ashok Vishwanathan's "Andhkaroor Shabd" (Bengali)).
 

I am a gypsy: Lisa Ray (INTERVIEW)
By Subhash K. Jha, Indo-Asian News Service

Mumbai, May 21 (IANS) Lisa Ray, who disappeared from Bollywood after the hit "Kasoor" and resurfaced with Deepa Mehta's "Water", says being a global gypsy explains her long absence from the Hindi film scene.

"I'm a gypsy and a global citizen. I don't need to belong to any one place or any one film industry. Particularly one that doesn't throw up challenging roles for women," Lisa told IANS.

"I'm flattered that Bollywood gave me any opportunities as I don't qualify as a typical heroine from any angle. So obviously, in terms of creative pursuits and satisfying myself as an actor, I'm finding interesting opportunities all over the world."

However, she adds: "I believe Hindi cinema is changing and if something challenging came my way, I wouldn't hesitate to consider it."

About desi heartthrob John Abraham, her co-star in the film, she says: "It was a pleasure working with John. He is professional, committed, generous, polite and talented."

Here are excerpts from an interview:

Q: How did you get into Deepa Mehta's "Water"?

A: Deepa sent me the script for "Water" under a working title - "River Moon" - in December 2003. I loved the script, it was so lyrical and vivid. I wanted to be a part of this beautiful project because I greatly admire Deepa, love working with her and the story and script are extremely compelling. 

Q: Was it difficult for you to get into an era and emotions that were culturally and chronologically alien to you? 

A: Playing the character of Kalyani was a great opportunity to immerse myself in a life and era I was unfamiliar with. While the era and circumstances of Kalyani's life are very different, all emotions are universal. I welcome the opportunity to portray challenging characters in meaningful cinema and I am grateful to Deepa for giving me this opportunity. 

Q: How much help did you get from Deepa in connecting with Kalyani's esoteric character in the film?

A: I received a lot of help and guidance from Deepa in connecting with Kalyani's character. Deepa is the consummate actor's director. Deepa gifted me with an excellent study on widows in India called "Perpetual Mourning" and under her guidance, I attended a workshop with Neelam Mansingh, a gifted theatre director and Deepa's childhood friend, in Chandigarh. 

I also visited Vrindavan and spent time in vidhwa ashrams (widow refuges) there. I was in drama school in London when I began working on Kalyani, so Deepa and I used to have lots of discussions and communication on character, actions and motivations and other acting grammar and technique. 

However, Deepa also gave me the single most important piece of direction, which came from her heart. Deepa gave me an image to work towards. She said, and I am paraphrasing: 'I want Kalyani to be like a beautiful lotus flower, blooming in the murkiest of water, untouched by the muck underneath'. That was the one image that was most important for me in connecting with Kalyani's character. 

Q: I believe you and John Abraham got along like a house on fire? 

A: It was a pleasure working with John. He is professional, committed, generous, polite and talented. 

Q: You also had the opportunity to work with some fine talent like Seema Biswas and Waheeda Rehman? 

A: Unfortunately, I didn't get the opportunity to act with Waheeda Rahman as she plays John's mother in "Water" and we don't have any scenes together. However, it was an honour to work with Seema, whose work I had always greatly admired. 

Seema is remarkably down to earth and approachable aside from being one of the most talented actors in India today. She is so committed to her craft. As I was studying theatre at the time of shooting "Water", and she comes from a theatre background, we spent many hours discussing theatrical techniques and form. 

During the rehearsal period, Seema was so generous. She helped me get the nuances of my character right and answered any question I had. I am in awe of her as an actor and human being. Let me also say, there was a great camaraderie on the set of "Water" among the entire group of actors and crew. I never felt I was working on a film. It is as though I was experiencing and living a different life. 

Q: What happened to your career in Bollywood after a hit like Vikram Bhatt's "Kasoor"?

A: I get tired of answering questions on Bollywood. It's true I had a lovely experience working on "Kasoor" and it's true the film was a hit and I received many more offers. I would like to turn this question around. What are the compelling reasons for me to be a part of Bollywood? I am only half Indian, I grew up in Canada, my Hindi isn't perfect and as an actor I really lust for challenging roles.

I mean, given all this, I'm flattered that Bollywood gave me any opportunities, as I don't qualify as a typical heroine from any angle. So obviously, in terms of creative pursuits and satisfying myself as an actor, I'm finding interesting opportunities all over the world. 

I'm a gypsy and a global citizen. I don't need to belong to any one place. Or any one film industry. Particularly one that doesn't throw up challenging roles for women. Having said this, I believe Hindi cinema is changing and if something challenging came my way, I wouldn't hesitate to consider it. 

Q: What are your plans for the future?

A: I never plan. Also, I don't like cataloguing projects like a shopping list. Especially when we're talking about a project that is as precious to me as "Water". So in the immediate future, I've been tied up with a lot of promotions for "Water". It was an honour to open the Toronto International Film Festival. It was the first time a non-English or French language film has been given this honour.

"Water" was also invited to open many other festivals across Canada and I love gauging the audience reaction to this film, which is so far from most people's personal experience and yet has the power to strike a universal emotional chord in everyone who has seen it. 

Q: Where do you hope to go with "Water"?

A: "Water" releases in Canada early November. Then we have our big American release by Fox Searchlight - again the first time they have picked up a Canadian or non-English language film - in the early part of 2006. The response to the film has been overwhelming. Individuals I greatly admire from Atom Egoyan to Roger Ebert have come up to me to congratulate me on the film and my performance. 

I'm so happy for Deepa and the triumphant end to her journey. This is a strange business and you can never predict what happens, but I'm so gratified to have been a part of something that was made with integrity, passion and love - a lot of love. 
 
Amritraj's Cannes bash on choppy waters (CANNES DIARY 2)
By Saibal Chatterjee, Indo-Asian News Service

Cannes, May 20 (IANS) Ashok Amritraj has landed. That, in Cannes parlance, means another yacht party. 

On Friday night, the frontline Hollywood film producer threw a bash for nearly 100 people on board the Georgetown, anchored off the bay in particularly choppy waters. 

The boat rocked wildly all through the evening and the invitees, even the ones who were not high on the free-flowing spirits, found it rather difficult to stay steady. Some of the swaying guests wondered whether it was the great wine or simply the force of the elements that was to blame.

The guests' list included Karan Johar, Preity Zinta, Ketan Mehta, Deepa Sahi and Reliance Entertainment top honcho Amit Khanna. Talking shop was strictly prohibited. 

So when an over-eager journalist told Amritraj that he was looking for an interview with him under the express orders of his editor back in India, the former tennis player lobbed the request right back without sounding the least bit offensive: "We are not talking tonight," he said. "Call me tomorrow." 

The journo got the message and backed off. The party went on...

-*-

'Preity' picture

Guests on board the Georgetown expected Aishwarya Rai to put in an appearance. As the night wore on, it became obvious that the wait would be in vain.

Earlier in the day, the Bollywood diva, accompanied by Kiranjit Ahluwalia, the real-life lady that Aishwarya plays in "Provoked", and director Jag Mundhra, were at a photo call. 

Ash or no Ash, Preity Zinta presented a great example with her completely unstarry behaviour. She jumped on to the very first boat that was to ferry the invitees to the Georgetown and stayed on till the very end of the party. 

Apart from helping producer-director Karan Johar promote "Kabhi Alvida Na Kehna" (KANK), Preity is in Cannes to participate in a Chopard-promoted event. 

Making a pretty picture in all black, she was at her chirpy best all through the evening, keeping host Ashok Amritraj and many others engaged in long conversations. 

Did she say anything about KANK? Well, what else but that "the film has turned out really well". 

She added: "It is going to be very different from anything that Karan has made." 

Sure, Preity, we believe you. You are after all very different from the general run of Bollywood stars yourself.

-*-


Minister stays away

Talking of breaking from tradition, the party hosted by the Film Producers Guild of India (FPGI) on the beach was refreshingly uncluttered for a change. 

For one, there was no information minister breathing down people's necks. Priya Ranjan Dasmunsi, busy with the "The Da Vinci Code" controversy in India, has his hands full back home. 

He is also the parliamentary affairs minister and parliament is in session till the end of the week. So there was no way he could have made it to Cannes. 

The FPGI party was completely devoid of mindless naach-gaana. It looked every inch of the way like a networking party for industry professionals.

Unlike in past years, various arms of the Indian film industry - the FPGI, the Confederation of Indian Industry and the National Film Development Corporation of India seem to be working in tandem in Cannes this year. 

And with the minister staying away from the show, it was not reduced to mere government acrobatics. If India does indeed return from Cannes with a few gains, you now know whose absence to thank.