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Baabul review
'Baabul' makes a mess of widow
remarriage (REVIEW)
By Subhash K. Jha,
Film: "Baabul"; Cast: Amitabh Bachchan, Hema Malini, Rani
Mukherjee, Salman Khan, John Abraham, Om Puri, Sarika; Director:
Ravi Chopra; Rating: * 1/2
When you have everything going for you, including a top
star-cast and a powerful socially relevant theme, it isn't easy
to mess things up. But "Baabul" does exactly that.
Just why or how director Ravi Chopra manages to make a
monumental mess out of a potentially explosive drama is a matter
worthy of an inquiry commission.
Years ago Raj Kapoor had cast Padmini Kolhapure as a carefree
girl who's transformed into a weeping widow in "Prem Rog". She
finally marries her beloved from the past amidst a tumult of
societal protest.
Writer Achala Nagar adopts the same
framework but she forgets that times have changed and widow
remarriage isn't quite the burning issue it used to be two
decades ago, especially in the case of modern families like the
one shown in this film.
The first half of the film, where Avinash (Salman Khan)
marries Mili (Rani Mukerji), is replete with loud
celebratory songs. The choreography, artwork and cinematography
are more suited to the social dramas of the 1960s than a
contemporary work.
It's shocking to see how clumsily Ravi Chopra handles the
familial inter-relationships and how much of his inspiration
comes from tried-and-tested cinema.
The buddy-buddy bonding between dad Amitabh Bachchan and
son Khan has been done in films as diverse as Vipul Shah's "Waqt"
and Karan Johar's "Kabhi Alvidaa Na Kehna", not to forget Yash
Chopra's "Kabhi Kabhie" in a much earlier decade.
It's in the second-half when Bachchan goes husband-hunting for
his widowed daughter-in-law that the director gets a grip on the
main drama. It may not be too late to salvage the widow's
wrecked domesticity but it's certainly too late to save the film
from its catastrophic conventional drama.
"Baabul" is filled with superfluous scenes of family
bonding, seen mainly through clumsily choreographed songs. The
characters are too busy posing and preening to get under the
skin of the roles.
Bachchan and Rani, however, make a genuine effort to light a
spark in the dark. There are flashes of genuine drama between
the two after Avinash's death but moments of tragic resonance
are often frittered away in pursuit of glamour.
Ravi Chopra's previous film "Baghban", about old age and
negligence, worked mainly because of the superb chemistry
between the lead pair - Bachchan and Hema Malini.
In "Baabul", one feels Bachchan and Hema Malini
are being forced to fake the couple's camaraderie. Their singing
and dancing fails to recreate their "Baghban" magic.
As for Nagar's dialogues - it's been a while since we heard
anyone in a mainstream Hindi film scream, "Ruko ... yeh shaadi
nahin ho sakti!". That's what poor Om Puri, playing
Bachchan's super-conservative brother, is reduced to doing.
Puri should consider himself to be lucky. At least he gets to
speak. Some of the supporting cast, including Sarika who plays a
silently suffering widow, barely get to open their mouth in this
otherwise over-talkative film.
Salman and John, as the two men in the leading
lady's life, are cocky and self-conscious respectively. The
clothes they wear, the songs they sing and the dialogues they
mouth could probably be held responsible.
The onus of sustaining the drama falls entirely on Bachchan and
Rani. The latter's growth as an actor since Sanjay Bhansali's
"Black" has been steady and remarkable. Rani proves that she is
far ahead of her contemporaries despite the film's basic flaws.
If you must watch the film, watch it for Rani!
This page is related to :
Baabul review, Baabul Movie,
Baabul Music review, Hindi film Baabul
Baabul movie review and
music review - Main stars of this film is
Amitabh Bachchan, Hema Malini, Rani Mukherjee, Salman Khan,
John Abraham, Om Puri, Sarika; Director: Ravi Chopra;
IANS.
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