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Just Married
Just Married review
'Just Married' - all about
falling in love after marriage (REVIEW)
By Subhash K. Jha
Film: "Just Married"; Cast: Fardeen Khan, Esha Deol, Satish
Shah, Kirron Kher, Raj Zutshi, Tarina Patel, Sadiya Siddiqui and
Mukul Dev; Director: Meghna Gulzar; Rating: ** 1/2
"Does it have to be about sex only?" Esha Deol, playing a newly
wed in an arranged marriage that ostensibly seems to be coming
apart at the seams, even before the honeymoon is over, asks her
ever-accommodating husband churlishly.
What does marriage have in store for the average newly married
couples? Meet Abhay Sachdeva (Fardeen) and Ritika Khanna (Esha)
- they are the perfectly mismatched couple.
As the film opens, writer-director Meghna Gulzar, who's clearly
treading much more comfortable ground this time after her
directorial debut "Filhaal", shows the chance meeting of Abhay
and Ritika. And within the next 10 minutes they are married and
off on their honeymoon.
No time wasted, no frills, and certainly no humbug. Meghna
treads on a terrain that's more in Basu Chatterjee and
Hrishikesh Mukherjee's league than within her dad Gulzar's
domain.
The mood of the honeymoon tale is an appealing shade of pale.
The young director goes softly into the bedroom, creating for
the nervous couple a kind of desirable paradise that is
obtainable with just a little brush against each other's hands
or a whispered huddle in the foggy romanticism of Ooty.
When it comes to creating a supple and slender scenario of
spousal synergy, Meghna gets it right. The other couples -
whether old and cranky, played by Satish Shah and Kirron Kher,
or the bold Bikram Saluja and Perizaad Zorabian - manage to
create a telling contrast with the bewildered protagonists as
they discover, in hushed motions, that the true essence of
compatibility lies not in clutching hands but holding on to one
another's trust and confidence.
A trifle too romantically idealistic at heart?
Perhaps... "Just Married" aims to portray marriage in mellow
pastel colours. There are no over-the-top interludes, no moments
in the film that the director's mentors - Mukherjee and Gulzar -
would frown at.
She melds modernity into traditional values with understated
sensitivity. If we see a couple making out in the woods, we also
see a wife coyly putting on bangles in front of the mirror as
though she were paying homage to Hema Malini in "Khushboo".
If Pritam's background score suggests a time gone-by, the
confident editing patterns take the narration into areas in Ooty
where the honeymoon becomes a playing field for emotions that
would set the pace for the rest of the marriage - which we won't
be able to see.
Seeing isn't believing in "Just Married". Meghna often uses
smiles and silences to convey emotions. Words are never allowed
to get in the way... not even Gulzar's lush lyrics that are
resolutely played in the background.
The pace frequently drops as though the director was allowing
the characters and their languorous mood to take over.
Don't look for hard rain and pelting sunshine in this muted
'mellow-drama'. What we get are warm and familiar vignettes from
a marriage that most of us have experienced.
The comfort of the familiar never leaves this cosy look at a
honeymooning couple's attempts to come to terms with love,
marriage and, yes, sex.
Both Fardeen and Esha escape the trappings of masala cinema to
give sincere performances. Esha often looks as scrubbed and
vulnerable as her mom Hema did in Gulzar's "Khushboo".
Bikram and Perizaad, as the ever-willing lovebirds, define their
roles with ample exuberance. But Mukul Dev and Sadiya Siddiqui
as a Muslim couple wither in hazily defined parts.
IANS.
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