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Naqaab review
Naqaab hindi
film review
Naqaab"- a disappointing thriller to say the least
(REVIEW)
By Subhash K. Jha
Film: "Naqaab"; Director: Abbas-Mustan; Cast: Akshaye Khanna,
Bobby Deol, Urvashi Sharma; Ratings: * 1/2
Come, bask in the mask. If you want to see a smile-worthy sangam
(blend) of tradition and trend, then try "Naqaab".
On the one hand there's the ultra-hip super-cool Kiss-Miss
Sophia (newcomer Urvashi) who lives in with Richie Rich Bobby
Deol and romances the devil-may-care dude (Akahaye Khanna) and
even runs away from her church wedding (a la Julia Roberts in
"Runaway Bride").
But get this contradiction. On the other hand when the
clandestine couple Khanna and Urvashi break into a mela song,
Abbas-Mustan (bless their suspenseful soul) does a quick
dissolve with the camera to indicate to the audience that the
song is a dream sequence.
The problem with our cinema is, it takes on the mantle of the
new millennium without knowing where it is going.
In "Naqaab", the female protagonist goes from being a flaky
burger waitress in a Dubai restaurant to an unsuspecting actress
in a reality film to a vengeful Mata Hari ... to
God knows what else.
Ooof .... this time Abbas-Mustan tires us out. Gone is the well
thought-out paciness of "Baazigar", "Soldier", "Humraaz" and "Aitraaz".
There're many wheels within wheels simulating a sense of
well-oiled movement in the plot.
But check the editing patterns (Hussain Burmawala). The
narrative is just not getting anywhere. Yup, this time
Abbas-Mustan have lost the plot.
Some early scenes when Akshaye, playing a struggling actor, and
Urvashi, playing a grappling go-getter, have a punchy perkiness.
One episode of masti (fun) between the
couple in a posh hotel (where Khanna treats Urvashi to a banquet
by ordering for room service from a foyer phone) seems to have
been ripped off from Vikram Bhatt's "Life
Mein Kabhie Kabhiee".
But what the heck! There's a mood of anything-goes in the
first-half that doesn't quite get into the required tempo.
Abbas-Mustan's creative output has lately been on the decline. "Naqaab"
makes you feel they are now lunging for effect. Even when the
earlier films were Hollywood rip offs
they conveyed a sense of streamlined momentum.
Everything in "Naqaab" is calculated for an effect. And that
goes for the characters too. They are constantly trying to be
what they are not, and therefore perpetually tying
themselves up in knots.
Most of this film is about a whacked-out filmmaker shooting a
secret improvised reality-film with characters that are actors
rather than characters and is shot on elaborately
done-up sets representing cool clubs and sweaty bedrooms. They
add to the feeling of claustrophobia that assails us from all
sides.
Akshaye Khanna and Bobby Deol struggle to establish a sense of
logic to the wacky plot. Khanna succeeds to some extent. Bobby,
veering from devoted passion to
demented creativity, fails.
The new girl Urvashi seems to have some fun playing the feisty
miss who's engaged to a placid tycoon and is swept off her feet
by a wicked stranger.
"Mills & Boon"? That's old world. Kick off your shoes and enter
Abbas-Mustan's web of virtual reality.
Here, anything can happen. Alas, nothing does. At least nothing
to sink our teeth into.
IANS.
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